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John Henry Twachtman End of Winter mk68
Oil on canvas
Washington
Smithsonian American Art.
c.1889
USA
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John Henry Twachtman Arques la Bataille mk75
1885
Huile sur toile:152.4x200.3cm
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John Henry Twachtman The White Bridge mk77
Mid-1890s
Oil on canvas
30 1/4x30 1/4in
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John Henry Twachtman Meadow Flowers mk140
circa 1892
Oil on canvas
84.6x56.3cm
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John Henry Twachtman Hemlock Pool mk146
ca.1900
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John Henry Twachtman Waterfall in Yellowstone mk162
c.1895
Oil on canvas
23x16
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John Henry Twachtman Arques-la-Bataille mk177
1885
Oil on canvas
60x78in
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John Henry Twachtman Gloucester Harbor mk177
1901
Oil on canvas
25x25in
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John Henry Twachtman THe Waterfall mk177
c.1890-1900
Oil on canvas
30x30in
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John Henry Twachtman The White Bridge mk177
1900
Oil on canvas
30x25
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John Henry Twachtman Azaleas mk177
1898
Oil on canvas
30x24
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John Henry Twachtman New York Haffen mk181
1879
Cincinnati
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John Henry Twachtman On the Terrace mk196
c.1897
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John Henry Twachtman Winter Scene mk212
1890-1900
Oil on canvas
76.5x76.5
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John Henry Twachtman Winter Harmony mk235
c.1890-1900
Oil on canvas
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John Henry Twachtman The White Bridge mk235
c.1900
Oil on canvas
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John Henry Twachtman The White Bridge, The White Bridge, ca. 1895, Minneapolis Institute of Arts
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John Henry Twachtman Summer, Summer, 1897-99, Phillips Collection.
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John Henry Twachtman Meadow Flowers ca. 1892
Oil on canvas
84.6 x 56.3 cm (33.31 x 22.17 in)
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John Henry Twachtman Meadow Flowers Medium Oil on canvas
Dimensions Expression error: Missing operand for *84.6 ?? 56.3 cm
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John Henry Twachtman
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American Impressionist Painter, 1853-1902
American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
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